Curing Cancer One Masterpiece at a Time!™
Brittany Sondberg
Martin's Collection
Brittany Søndberg's sculpture "Daybreak" is a beacon of hope in Martin's battle with cancer and a jewel in his collection. The open steel form, delicate yet resilient, reminds us of life's balance between fragility and strength. Each day holds profound significance for cancer survivors, and "Daybreak's" red steel encapsulates this sentiment. That's why we've developed Daybreak limited edition gilcée prints and wearable art.
Brittany's Lab
Daybreak Gallery
Daybreak looks different at different times of the day or night. Here are a few pictures of Brittany's inspirational sculpture at Martin's tiny house.
Commission A Søndberg
When you commission a sculpture from Brittany Søndberg, the sculptor who created "Daybreak," you become a champion in the fight against cancer. Inspired by "Daybreak," Martin Smith created AtCures to support artists like Brittany and help cure cancer. By owning a Søndberg original, you join a community of art lovers making a difference, fueling the search for a cure, and bringing solace to those navigating cancer's challenges. Your support is invaluable and empowering.
Wearable Art
Brittany's store contributes 10% to cancer research + Martin's Match.
Contact Brittany
Want to commission Brittany or ask a question? Here's how to make contact.
Formal Impulse
artist statement
In much of my sculpture, I intuitively construct, carve and manipulate material, using formal considerations and impulse. I create emphasized points of tension, bizarre connections and specified forms, as metaphors for psychological/emotional balance, memory and different relationships with(in) the past and present. Currently, I am using mixed materials along with steel, in particular, wood, textiles, plaster and ceramics. I have been experimenting with mark-making on the surfaces of the wood, clay and steel by means of etching, painting and burning, to further define the forms.
Although my work appears largely non-representational, it does orbit a consistent theme. Certain forms and shapes that teeter on the familiar become personally symbolic and I often repeat them in many pieces. I also like to think of the material, the actual matter I manipulate, as a metaphor for how our memory and recollection of memory can change each time we enact it.
